E.Bozza Image
-솔로곡은 반주가 없으므로 두배로 표현 더 되도록
-곡 전체적으로 Calm& Crazy 대비 표현
-희미한 느낌 그러나 자연스럽게 연주하기

Doppler-Chanson D'amour
-음악이 레가토이면 핑거링도 부드럽게  
-음악의 방향 생각하며 연주 
-옥타브 연주할때 배힘(에너지)가지고 연주

*폴 에드먼드 데이비스 교수님께서 사이트를 오픈하셨다고 합니다. 플룻 연습과 티칭에 유용한게 많으니 참고하시기 바랍니다.
Simply Flute www.simplyflute.com

통역은 장형지 이사님이 해주셨고, 이숙인, 서선미리 이사님 그리고 5명 청강생이 참석해주셨습니다.

2016 March 8, Paul Edmund-Davies masterclass at Dolce Instruments Seoul

-Fantasie sur Le Freyschutz- Paul Taffanel
Open your throat for the top register high notes, as if you're immitating Edvard Munch's "the scream", try not to scream out the top notes and make the sound round and warm and in order to achieve this you need more energy (air support).
-When you're starting a note in the top register with a smaller dynamic, try blowing air through the nose right before starting the note to have a smoother attack.You want to avoid hearing too much of the front end of the note.
-For the 32nd notes in the beginning, try to imagine that you're an opera singer and make more of every note.
-Really play through the turns and trills with supported air.

Image-Eugene Bozza
-For solo pieces since you're playing alone without piano you have to be twice as more expressive.
-Basically the piece has two main characteristic that you go back and forth, calm and crazy.
-Impressionistic expression and natural progression of the music.

Chanson D'amour- Franz Doppler
-When the music is legato you must also make your finger movements legato.
-You must always think of direction in your phrasing.
-For octave leaps, more energy and air support.

<참가학생>

오예빈(재수생)
P.Taffanel 마탄의 사수

장수경 (연세대3)
E.Bozza Image

이재연 (선화예고2)
Doppler Chanson D'amour